{"id":242,"date":"2026-01-29T13:07:07","date_gmt":"2026-01-29T13:07:07","guid":{"rendered":"http:\/\/sandrafoo.com\/index.php\/2026\/01\/29\/play-spaces-revitalize-fluid-1960s-home-in-italy-by-studio-rossettini\/"},"modified":"2026-01-29T13:07:07","modified_gmt":"2026-01-29T13:07:07","slug":"play-spaces-revitalize-fluid-1960s-home-in-italy-by-studio-rossettini","status":"publish","type":"post","link":"http:\/\/sandrafoo.com\/index.php\/2026\/01\/29\/play-spaces-revitalize-fluid-1960s-home-in-italy-by-studio-rossettini\/","title":{"rendered":"play spaces revitalize fluid 1960s home in italy by studio rossettini"},"content":{"rendered":"

studio rossettini updates existing strucTUre with spaces for play\u00a0<\/h2>\n

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Studio Rossettini revitalizes House LB into a contemporary single-family residence with playful spaces that puts functionality and quality of life at its center. The home<\/a><\/strong> from the early 1960s in Padua, Italy,<\/a><\/strong> reimagines the existing structure through its renovation<\/a><\/strong>, freeing up the perimeter walls and creating a fluid sequence of spaces that flow between the kitchen, dining room, and living room, with furnishings integrated into architectural niches.<\/p>\n

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Without altering the original volume, the project respects the existing footprint, working through subtraction and reconstruction, with a new rational distribution and a tailored interior design. The design aims to create a neutral box that can be personalized by the client with artwork and furnishings, striving to maintain a good balance between formal clarity and a domestic atmosphere. The distribution is completely redesigned rationally, starting from the structural constraints of the existing structure.<\/p>\n

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front view of the house | all images by
Andrea Ceriani<\/a><\/p>\n

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1960s home IN ITALY benefits from personalized renovation<\/h2>\n

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Studio Rossettini takes a personalized approach to the renovation of the brutalist home. The architects<\/a><\/strong> keep the living area on the ground floor, extending from the entrance into the kitchen, dining room, and living room, separated by niches that integrate the furnishings. The walls separating the main spaces of the home are removed from the perimeter. This allows for the sequence of spaces to be interpreted right down to the last room and frees up circulation around the spaces while maintaining the intimacy of each space. The main facade remains sober and balanced, with contrasting volumes defining the home and garage, connected by a portico that in turn links the two portions of the garden. The south elevation, on the other hand, opens completely to the inner garden through large fixed windows that frame the outdoor green space.<\/p>\n

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view of the internal garden with porch<\/p>\n

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House LB prioritizes a minimalist aesthetic<\/h2>\n

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Natural lighting is key, as is the minimalist palette of whites, blacks, and thoughtful natural wood inserts for furnishings, lighting, bathroom accessories, and the concrete flooring. Large southern openings frame the garden and draw natural light deep into the home, while a suspended reading net on the upper floor becomes a playful, unexpected moment that reveals the project\u2019s domestic soul. Domestic warmth is ensured by the inclusion of artworks, distributed throughout the rooms as two twin solid blocks\u2014one as a pedestal at the entrance, the other as the first mobile step of the staircase\u2014the staircase handrail, and the porch skylight intrados. On the first floor, between the bedrooms, a retractable shelf leads to a suspended net, an intimate space designed for play and reading for the little ones.<\/p>\n

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the walls separating the main spaces of the home are removed<\/p>\n

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an outdoor kitchen adds more entertainment space<\/p>\n<\/p>\n

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\"play-spaces-personalize-updated-1960s-italian-home-by-studio-rossettini-01\" <\/p>\n
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large southern openings frame the garden and draw natural light deep into the home<\/p>\n<\/div>\n<\/div><\/div>\n

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\"house
the double-height entrance to the house with a solid wooden block as a pedestal for a sculpture<\/p>\n

\"house
the home maintains a balance between formal clarity and domestic atmosphere<\/p>\n

\"house
the living area extends from the entrance into the kitchen, dining room, and living room<\/p>\n<\/p>\n

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\"play-spaces-personalize-updated-1960s-italian-home-by-studio-rossettini-02\" <\/p>\n
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furnishings are integrated into architectural niches<\/p>\n<\/div>\n<\/div><\/div>\n

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\"house
large fixed windows frame the outdoor green space<\/p>\n

\"house
natural lighting is key, as is the minimalist palette<\/p>\n

\"house
the suspended reading net on the upper floor becomes a playful and unexpected space<\/p>\n

\"house
black is used for furnishings, lighting, and bathroom accessories<\/p>\n<\/p>\n

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project info:<\/strong><\/p>\n

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name:<\/strong>\u00a0House LB
architects:<\/b> Studio Rossettini Architettura<\/a> | @studio_rossettini<\/a><\/p>\n

location: <\/strong>Padua, Italy<\/p>\n

photographer: <\/strong>Andrea Ceriani<\/a><\/p>\n

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designboom has received this project from our\u00a0<\/i>DIY submissions<\/i><\/a>\u00a0feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers\u00a0<\/i>here.<\/i><\/a><\/p>\n

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edited by: claire brodka | designboom<\/i><\/p>\n

The post play spaces revitalize fluid 1960s home in italy by studio rossettini<\/a> appeared first on designboom | architecture & design magazine<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

the renovation aims to create a neutral box that can be personalized by the client with artwork and furnishings.
\nThe post play spaces revitalize fluid 1960s home in italy by studio rossettini appeared<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"http:\/\/sandrafoo.com\/index.php\/wp-json\/wp\/v2\/posts\/242"}],"collection":[{"href":"http:\/\/sandrafoo.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sandrafoo.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"http:\/\/sandrafoo.com\/index.php\/wp-json\/wp\/v2\/comments?post=242"}],"version-history":[{"count":0,"href":"http:\/\/sandrafoo.com\/index.php\/wp-json\/wp\/v2\/posts\/242\/revisions"}],"wp:attachment":[{"href":"http:\/\/sandrafoo.com\/index.php\/wp-json\/wp\/v2\/media?parent=242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sandrafoo.com\/index.php\/wp-json\/wp\/v2\/categories?post=242"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sandrafoo.com\/index.php\/wp-json\/wp\/v2\/tags?post=242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}