{"id":198,"date":"2025-12-08T13:09:11","date_gmt":"2025-12-08T13:09:11","guid":{"rendered":"http:\/\/sandrafoo.com\/index.php\/2025\/12\/08\/mycelium-textiles-and-reclaimed-wood-anchor-scenarii-editions-debut-at-design-miami-2025\/"},"modified":"2025-12-08T13:09:11","modified_gmt":"2025-12-08T13:09:11","slug":"mycelium-textiles-and-reclaimed-wood-anchor-scenarii-editions-debut-at-design-miami-2025","status":"publish","type":"post","link":"http:\/\/sandrafoo.com\/index.php\/2025\/12\/08\/mycelium-textiles-and-reclaimed-wood-anchor-scenarii-editions-debut-at-design-miami-2025\/","title":{"rendered":"mycelium textiles and reclaimed wood anchor scenarii \u00e9dition\u2019s debut at design miami 2025"},"content":{"rendered":"

scenarii \u00e9dition debuts furniture series\u00a0at design miami 2025<\/h2>\n

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At Design Miami\u2019s 20th edition, Paris-based architects and designers Berenice Curt and Caroline Duncan introduce the first chapter of Scenarii \u00c9dition, a new curatorial line extending their ongoing investigations within Berenice Curt Architecture<\/a><\/strong>. Presented in collaboration with The Spaceless Gallery, the debut features two pieces, the Tripodal chair<\/strong><\/a> and the Torii table<\/strong><\/a>. Both works rely on hand-polished stainless-steel frameworks, setting the stage for material experiments ranging from reclaimed wood to mycelium-grown textiles.<\/p>\n

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Scenarii \u00c9dition positions collectible design as a site for rethinking material life cycles. The studio\u2019s method is grounded in the belief that leftover, irregular, or undervalued materials<\/strong><\/a> carry narrative weight. Throughout the debut collection, stainless steel<\/strong><\/a> becomes a stabilizing armature that welcomes evolving surface treatments, wood<\/strong><\/a>, stone<\/a><\/strong>, biomaterials<\/strong><\/a>, each chosen for its imperfections rather than despite them. This perspective, the designers note, transforms fragments into protagonists, allowing form to emerge through processes of elevation rather than erasure.<\/p>\n

\"scenarii
Torii table and tripodal arm chair | all images courtesy of Berenice Curt and Caroline Duncan<\/p>\n

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the tripodal chair: biomaterial meets hand-woven craft<\/h2>\n

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The Tripodal chair, also available as an armchair, anchors its identity in a converging three-leg geometry, a polished stainless-steel structure conceived as a host for multiple future upholsteries and textures. For the special Design Miami edition with The Spaceless Gallery, Curt & Duncan pair the frame with Reishi, a mycelium-grown material developed by MycoWorks.\u00a0<\/p>\n

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This iterative, manual process sets up a dialogue between technological innovation and human gesture. The biomaterial\u2019s softness contrasts with the precision of the steel, while the woven pattern reveals the value embedded in what would typically be discarded. In its Design Miami form, the Tripodal chair becomes an emblem for Scenarii \u00c9dition\u2019s ethos. It’s sculptural yet adaptable, engineered yet mutable, and grounded in a belief that responsible fabrication can generate new aesthetic languages.<\/p>\n

\"scenarii
both works rely on hand polished stainless-steel frameworks<\/p>\n

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 <\/p>\n

the torii table: reclaimed wood and polished steel<\/h2>\n

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If the chair articulates the line\u2019s material openness, the Torii table establishes its spatial vocabulary. Originally conceived around the reuse of marble fragments, the piece evolves at Design Miami into a composition combining a reflective stainless-steel frame with the warmth of walnut. The tabletop is constructed from reassembled slats cut from collected offcuts, forming a linear grain that reads as both pattern and process, the repetition of remnants producing a new visual continuity.<\/p>\n

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Cross-shaped legs give the table structural stability and sculptural clarity. Meanwhile, the polished steel captures ambient light, refracting it across the table\u2019s surface and subtly animating its presence in space. Produced in a limited series, each Torii table bears the distinct signatures of its materials, reinforcing the edition\u2019s attention to resource awareness and artisanal precision.<\/p>\n

\"scenarii
Torii table in ouro negro marble and polished stainless steel<\/p>\n

\"scenarii
combining a reflective stainless-steel frame with the warmth of walnut<\/p>\n

\"scenarii
Tripodal armchair in woven reishi mycelium leather<\/p>\n

\"scenarii
manual process sets up a dialogue between technological innovation and human gesture<\/p>\n

\"scenarii
Tripodal armchair in light grey suede leather<\/p>\n

\"scenarii
the Tripodal chair becomes an emblem for Scenarii \u00c9dition\u2019s ethos.<\/p>\n

\"scenarii
sculptural yet adaptable<\/p>\n

\"scenarii
grounded in a belief that responsible fabrication can generate new aesthetic languages<\/p>\n

\"scenarii
a host for multiple future upholsteries and textures<\/p>\n<\/p>\n

\u00a0<\/div>\n

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project info:<\/strong><\/p>\n

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name:<\/strong> Scenarii Edition<\/a> | @scenarii_edition<\/a> Tripodal chair and Torii table
designer:<\/strong> Berenice Curt & Caroline Duncan<\/a> | @berenicecurt_architecte<\/a><\/p>\n

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designboom has received this project from our\u00a0<\/em>DIY submissions<\/em><\/a>\u00a0feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers\u00a0<\/em>here.<\/em><\/a><\/p>\n

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edited by: thomai tsimpou | designboom<\/em><\/p>\n

The post mycelium textiles and reclaimed wood anchor scenarii \u00e9dition’s debut at design miami 2025<\/a> appeared first on designboom | architecture & design magazine<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

the debut features two pieces, the tripodal chair and the torii table, that rely on hand-polished stainless-steel frameworks.
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